Did some glazing tonight, but first there was yesterday.
Busy Sunday. I'm getting back into stoneware again and made this new form. Not sure if I'll keep it; I'm in an experimental phase. This is with phoenix clay; it's been about a year and a half since I've used this kind of clay. Thankfully, I've improved a bunch since then.
First put some wax resist on the bottom of these plates. Then, I ended up glazing these six plates with a base glaze of Ron's Creme. Also added accents of glaze in the colors of Ban Gareen, Tahitian, and Ryoko Cream. Applied some of the accent glazes with the bulb in the pic, making drops and also with my index finger, creating a different look. All will be fired in the electric kiln (cone 5). Haven't used this glaze combo before; will be interesting to see how these turn out. I do think that plates are high maintenance and hard to make. The plate form doesn't come easy for me; the teacups are easier. Guess I need to make lots of plates to improve that!It's been wet outside. I'm ready for dry weather when I can go running.
On another note, lately, I've gotten some invitations to participate in artisan shows and other small events. While it's exciting, it just takes lots of time! I don't make pots full-time and I haven't been throwing clay as long as many other potters, but I'm reminded that there is just ALOT involved in being a full-time potter, not to mention making the pots! How does one make a living doing this? Gosh...
We went to Lupie's Cafe, which is a Charlotte local favorite. When we arrived, Lupie was hard at work (the woman in the green shirt behind the counter). It is one of those hole-in-the-wall great homecooked food restaurants.
We were greeted by this and we waited to be seated. :)
In what seemed like no time at all, we had food at the table and in no time at all, it disappeared. I ate pinto beans without onions and quickly learned from the two Charlotteans (is that a word?) that pinto beans with onions is a southern food, but not pinto beans without onions. Oh well...
We talked and talked and Becky told us a bit about her trip to Sicily. She showed us these pottery shards. One piece looked like one of John's pots. Wonder how it got all the way to Sicily?
Time went by fast and we came back to Clayworks and slopped back through the rain and got into the dry inside. I began to work on making some slip out of phoenix clay. All that was needed was adding water to make it a clay slurpee mixture. Then, time to let it sit.
Above L-R are John, Kit and Becky.
Kit was working on these. Earthen red clay with white slip and then underglaze. These are beautiful! She has a wonderful attention to detail.
Minke worked on her latest sculpture. Some limbs are definitely in the making.
Becky worked on her cave art doing all sorts of things to the surfaces.
Put slip on these two. The one on the left needs more. Hmmm Will work on that tomorrow too.
And here's a bowl--the tahitian glaze spiral on the inside accentuates the slip made spiral, and the tahitian glaze put on the rim ran more than I thought it would.
Here's a side view. The slip was poured on the sides. While I've really loved throwing with earthen red clay, I think I'll throw some pots with zella stone stoneware clay tomorrow.


I trimmed some more dessert plates that will have this quote on them like this finished one for an order. I hope to make more plates with quotes on them. I REALLY like doing this. :)
All this happened during
Here is him telling me a bit about it. What a candid shot!